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23 graphic design styles you should know
Graphic design styles: short descriptions plus inspiration links to real examples from around the world.
Short answer
23 styles commonly used in graphic design, from Swiss design and minimalism to maximalism, from glassmorphism to neo-brutalism, in a single document: a short description of each style and inspiration links to real examples. Use it as a reference list when choosing the visual language of your next project.
3 steps · 1 min read · · Turan Yasin Salcı
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Get to know the styles.
The document covers 23 styles, each with a one-paragraph description and inspiration links to real examples from around the world. For example, Swiss design relies on strict grid systems and strong sans-serif typefaces, minimalism on the “less is more” principle, and prestige editorial on the feel of a luxury magazine.
Pick the one that fits your brand.
Instead of mixing several styles in the same project, choose one as your main visual language: let your grid, typeface and color decisions come from that style. Collect 3–5 examples from the inspiration links on a single board.
Browse the galleries.
The 4 galleries at the end of the document help you follow the styles through current examples. The PDF is below; we also send it to anyone who comments TASARIM (“design”) on our Instagram post.
Free · PDF
Download the Guide to 23 design styles.
A printable checklist version of the steps on this page. The PDF is in Turkish; no sign-up needed.
Download the checklist (PDF in Turkish)Sources
- DDijiKoçum design styles guide (23 styles, inspiration links)Our own data · checked: September 20, 2026
[A] primary source · [B] industry research · [C] practitioner · [D] our own data
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Frequently asked questions
What are the most commonly used graphic design styles?
The 23 styles in the document include Swiss design, minimalism, prestige editorial, maximalism, handmade illustration, retro pop and Y2K, glassmorphism and neo-brutalism. A short description of each, along with links to real examples, is in the PDF.
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